Trieste, what a pleasant surprise!! An often overlooked gem of the Adriatic, TRIESTE provided lots of beautiful sites and emotions.
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We visited the Castle of Miramare, which stands on the tip of the promontory of Grignano. Commissioned and built between 1856 and 1860 by Archduke Maximilian of Austria, also eventually Emperor of Mexico, the building is positioned overlooking the sea, providing a stunning view of the Gulf of Trieste.
The Castello is surrounded by 22 hectars of a beautiful botanical garden and its interiors feature sumptuous original historical furniture. Miramare has more than 20 rooms including Maximilian’s bedroom, furnished as a ship’s cabin. The poet Giosue Carducci speaks of the “white towers” of Miramare, with its English and Italian style garden, stepping down towards the sea with a beautiful ‘Scalinata’.
What a fabulous place to visit, don’t miss it!! We wholeheartedly recommend it
The History of Italian Art is Important To Understand
Italy is a country internationally admired for its vast culture, art and romance. The fascinating history and culture that constitute the essence of Italy is exemplified partly by its fashionable art, which has been flourishing and enriching the world since ancient times to the present. Italian art recreates the heart and soul of Italian life and makes you feel like you are standing there in the midst of beautiful countrysides, vineyards, gardens and coastlines. Italian art finds its expressions in characteristically beautiful and elegant ceramics, drawings, paintings, sculptures, architecture, as well as in modern and vintage photography, cinematography, design and other crafts.
Acquiring Italian Art
The traditions of Italian art and craftsmanship go back to pre-Roman times and come to us through the Medieval reflowerings, the Renaissance, the Baroque, etc. But most original Italian art, as is true everywhere in the world, is properly preserved in art galleries and museums to be enjoyed by connoisseurs and casual visitors alike for the price of an admission ticket. It is only the truly wealthy and the truly dedicated who can afford to add a Raffaello or a Caravaggio to their private collections. But there hope for the rest of us: contemporary artists who are virtual students of the great masters in that they have nurtured their talents in their traditions and their styles offer us the opportunity to catch solid echoes of the works of the masters of long ago at a fraction of the cost. Other artists, on the other hand, have evolved their art along paths that lead to no immediately discernible connection with the classical masters, but their art exudes nevertheless the same subtle aura of “Italianity”. The works of these contemporary artists and artisans are within reach of most of us, and who’s to say which of them will be deemed a Raffaello by the art critics of a century hence? Another affordable possibility, for us “normal” people, to display a masterwork in our homes is the acquisition of a quality print, which can be obtained in a variety of sizes at reasonable cost.
Italian Art In Modern Age
Modern Art in Italy can be summed up by three different major artistic movements, namely Futurism, the Metaphysical School, and Classical Modern Art
Futurism came to life as a child of the Industrial revolution. Its first proponent , poet Filippo Marinetti, published a manifesto on “Le Figaro’ in 1909. He summed up the major principles of the futurists, such as a love of technology, speed and violence, a celebration of the technological era of the future. Industrial cities, along with cars, and airplanes represented the ongoing motion of modern life and a sense of victory of man over nature and demanded a blunt cut from the traditions of art of the past. While Futurism remained mostly confined to Italy some of its ideas influenced movements such as dadaism, Surrealism , Art deco and constructivism (Carlo Carra’, Umberto Boccioni, Giacomo Balla, Antonio Sant’Elia)
The Metaphysical School
Giorgio de Chirico is considered the father of this art movement, closely followed by Carlo Carra’, already a leading futurist. The main characteristic of the movement is the concern with the effects of the subconscious mind on people’s lives. The result is idealized Italian cities and their squares (piazze) and the dream like effects of mixing and bonding of object of a visionary world . This movement is believed to have influenced Surrealism, which later dominated art in Europe. ( De Chirico, Carra’, Giorgio Morandi)
Classical Modern Art in Italy
At the beginning of the 20th century The Classical Modern school of art was popular in most of Europe with several Italian artists at the core of this school . The intent of the school was the revitalizing of a simpler, less sentimental but more vigorous Classical tradition (Arrigone, Arturo Martini, Manzu’)